Guest Column: ‘You Lost Me’ finds a home in the heart of a young playwright
Noah Jackson calls Bonnie Metzgar’s new play ‘a masterpiece of heartbreak, love, loss and being found’
‘twenty50’: What’s the cultural cost of taking a slice from America’s power pie?
Near-future world-premiere play considers the consequences of assimilation Playwright Tony Meneses was intrigued when he came across a Pew Research Center study that predicted 2050 will be the year the U.S. population will no longer have a white majority. That, in itself, could make for a compelling “near-future” pot-boiler. Imagine: What will white people do […]
‘You Lost Me’ offers a port in the storm of grief
‘I was really looking to write a story about how rebirth comes after tragedy’
How might fashion change by the year 2050?
Time waits for no man, but twenty50 costume designer believes some fashion truths are timeless
Art and artist: Tailor Sheila Morris has kept actors in stitches for decades
DCPA Theatre Company tailor retiring after opening Twelfth Night
‘Twelfth Night’ sets sail on an ocean of design influences
Costumes, scenery and music will represent a cross-pollination of Renaissance sources
2020 Colorado New Play Summit plays and playwrights announced
Playwrights span Presidential Medal of Freedom winner, Colorado Springs native and ‘the definitive voice of Middle Eastern American theatre’
‘A Doll’s House’: The door slam heard ’round the world still reverberates
Why is a sequel to Ibsen’s feminist classic relevant in 2019? ‘Because the world moves at a glacial pace’
Two playwrights tackle feminism and humanity 140 years apart
The themes in ‘A Doll’s House’ still hold true for modern audiences and continue to inspire playwright Lucas Hnath
‘A Doll’s House’: How did Ibsen become a pioneering feminist anyway?
How a man made a woman’s call to self-knowledge the thesis of his entire canon