Summit Spotlight: Lauren Yee lays it all on the free-throw line
Inspired by her father, the playwright explores sport as a metaphor for how countries rub up against each other in terms of strategy, styles and…
Summit Spotlight: Rogelio Martinez on when world leaders collide
‘Blind Date’ centers on the odd-couple meeting between Ronald Reagan and Mikhail Gorbachev’s at the Geneva Summit in 1985.
Summit Spotlight: Donnetta Lavinia Grays on navigating trauma
“The world feels kind of like an unsafe place. We don’t know what’s going to happen next … So how do we get that back?”
Summit Spotlight: Eric Pfeffinger on the fertile comedy of a divided America
A couple is devastated to discover that their fertilized embryo has been mistakenly implanted into somebody else. So obviously, it’s a comedy.
Last Man Out: Lt. Gen. Harold G. Moore remembered
The Colorado icon’s book about his experience in Vietnam was made into the movie ‘We Were Soldiers.’
‘Two Degrees’ cast digs deep into Boulder ice-core research
The cast’s visit to Boulder gave them first-hand accounts of the people they play in the Theatre Company’s world premiere.
Perspectives: On coffee, conflict and ‘The Christians’
Director Kent Thompson, son of an influential Southern Baptist preacher, has experienced the play’s central conflict first-hand.
‘Two Degrees’ heats up conversation on global warming
The provocative title of Tira Palmquist’s new play is meant to both set up her story … and sound an alarm.
Meet the cast: Jennifer Le Blanc of ‘The Book of Will’
The favorite from the National Theatre Conservatory and Colorado Shakespeare Festival is back starring in the Theatre Company’s world-premiere play.
‘The Book of Will’: Why is there a bobble-head on that set?
zA new ending, insight into Shakespeare’s feud with Ben Jonson, and why is there a car on the set of a play set in 1619?